Call and Response is a very decent documentary, and when you sign up for it, just know that you're in for plenty of music from artists such as Talib Kweli, Matisyahu, and Natasha Beddingfield. Interesting, I hear you say. Absolutely. One thing about the music for me was that sometimes, the artists didn't seem to be singing directly about the issue that the film was about, human trafficking. But then, I realised, they didn't need to, because a thing as universal and pervasive as music does not need to be so direct and logical. Just the fact that they were singing their songs on that screen, and the music I heard, was a strong enough message to arouse my passion and fury against human trafficking. The music certainly carried the spirit of the issue at hand.
This is what that music and those images inspired:
VISIONS OF LIGHT
Through my eyes and into the world I see visions
That run through dark streets and splash into
Moonlit puddles. Through alleys of despair
And corners that reek of dreaded fish that
Has been the staple of the mouth beneath my eyes.
My visions are fraught with hope that frightens
But also enlightens, that tightens the lashes
Of conviction and constriction, or consternation
For a ruined nation. Such are my dreams,
Fleeting like a cool breeze in the desert.
I live in darkness, but not despair; I live in pain
But I do not wish for numbness. Dumbness seeks
To assuage my soul, apathy that preys on
The senses. In a shrinking world, a global nation
I live, and dare to hope. In pain, I dare to hope.
In fear, I dare to hope. In men, I dare to hope.
In God, I dare to hope. Because through
The darkness I see bright dreams and visions
That shine with the light of a thousand sunrises
And vanquish with the light of a thousand angels.
For more on Call and Response, visit: http://callandresponse.com/
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